Family Frames: Filming Gertrude Schneider for 'Shoah'

Autores

DOI:

https://doi.org/10.46391/ALCEU.v25.ed57.2025.520

Palavras-chave:

outtakes, reenactment, women, testimony

Resumo

During the making of Shoah, Claude Lanzmann amassed 230 hours of filmed footage, an archive purchased by the United States Holocaust Memorial Museum in 1996 and preserved over the course of twenty years. This article examines the unused testimonies of three women survivors, who were filmed for Shoah in the 1970s. In the finished film, they are largely missing from Lanzmann’s Holocaust narrative. Yet, he interviewed almost a dozen women survivors and accumulated twenty hours of unused footage with them. In this article, I focus on the testimony filmed in New York in 1978 with the scholar-survivor Gertrude Schneider, her mother Charlotte Hirschorn, and her sister Rita Wasserman. Shifting attention from the finished film to the outtakes sheds light on the choices made in the editing room. In so doing, we can theorize the exclusion of women survivors and analyze the construction of testimonial performances during the making of Shoah.

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Biografia do Autor

Jennifer Cazenave, Boston University

Professora de cinema na Universidade de Boston (EUA). É autora de An Archive of the Catastrophe:
The Unused Footage of Claude Lanzmann’s “Shoah” (2019), que recebeu uma Menção Honrosa no prêmio Best First Book Award de la Society for Cinema and Media Studies. Também publicou uma dúzia de artigos sobre o cinema documental francês.

Referências

BONITZER, Pascal. Le regard et la voix. Essais sur le cinéma. Paris: 10/18, 1976.

THE CLAUDE LANZMANN SHOAH COLLECTION. United States Holocaust Memorial Museum, 1996. In: https://collections.ushmm.org/search/catalog/irn1000017.

HIRSCH, Joshua. Afterimage: Film, Trauma, and the Holocaust. Philadelphia: Temple University Press, 2004.

HIRSCH, Marianne. Family Frames: Photography, Narrative, and Postmemory. Cambridge: Harvard University Press, 1997.

LANZMANN, Claude. The Patagonian Hare: A Memoir. London: Atlantic Books Ltd, 2012.

LANZMANN, Claude. A lebre da Patagônia. São Paulo: Companhia das Letras, 2011.

PERETZ, Eyal. The Off-Screen. An Investigation of the Cinematic Frame. Stanford: Stanford University Press, 2017.

ROTHBERG, Michael. Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization. Stanford: Stanford University Press, 2009.

SCHNEIDER, Gertrude, ed. Mordechai Gebirtig: His Poetic and Musical Legacy. Westport: Praeger, 2000.

SCHNEIDER, Gertrude. Journey into Terror: Story of the Riga Ghetto [1979]. Westport: Praeger, 2001.

SCHNEIDER, Gertrude (Ed.). The Unfinished Road: Jewish Survivors of Latvia Look Back. New York: Praeger, 1991.

SCHNEIDER, Gertrude. United States Holocaust Memorial Museum, 1996. In: https://collections.ushmm.org/search/catalog/irn1004089.

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Publicado

02.01.2026

Como Citar

Cazenave, J. (2026). Family Frames: Filming Gertrude Schneider for ’Shoah’. ALCEU, 25(57), 5–13. https://doi.org/10.46391/ALCEU.v25.ed57.2025.520

Edição

Seção

Dossiê Shoah, 40 anos: Reverberações no Tempo Presente