A experiência do fora em Bang Bang:

Os movimentos erráticos no cinema menor de Andrea Tonacci

Abstract

Our proposal is to articulate two fields of knowledge production, namely philosophy and cinema, in a problematization of the experience of thinking. Thus, having as interlocutors the filmmaker Andrea Tonacci with the film Bang Bang (1971) and the philosophers Gilles Deleuze and Felix Guattari, first we will seek to appoint a way of thinking that we understand engendered by the erratics movements of the film, as an experimental thought that is done in the rupture with the determined reality; Then we will define filmic procedures for what we're going to conceptuate as a "minor cinema". With the explanation of these two questions, we will construct the explanatory argumentation of the Tonaccian film, to show their strength of radical problematization and of revolutionary construction of reality.