A female perspective on amateur travel films
Notes on the film essay Tabu, private property (2018)
DOI:
https://doi.org/10.46391/ALCEU.v24.ed54.2024.426Keywords:
Travel Film, Amateur Cinema, Montage Film, Audiovisual Essay, counter-archiveAbstract
This article explores the creative process behind the 2018 essay film Tabu, private property, which draws from amateur travel films shot in the 1960s in French Polynesia. In addition to examining the nature of these amateur images and the possibilities of editing archival footage, the text focuses on the distinctive characteristics of a specific type of amateur cinema: the personal travel film.
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References
DIDI-HUBERMAN, Georges. Devant le temps. Histoire de l'art et anachronisme des images, Paris: Les éditions de Minuit, 2000. 288 p.
FREUD, Sigmund. Totem e tabu: contribuição à história do movimento psicanalítico e outros textos (1912-1914), São Paulo: Companhia das Letras, 2012. 448 p.
KILOMBA, Grada. Memórias da Plantação: episódios de racismo quotidiano. Lisboa: Orfeu Negro, 2019. 272 p.
RIBEIRO, Djamila. O que é lugar de fala? Belo Horizonte: Letramento, 2017. 112 p.
ZIMMERMANN, Patricia. Geographies of desire: cartographies of gender, race, nation and empire in amateur film, in Film History v.8, n.1, p.85-98. jan/jun 1996.
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