From mimesis to the closed world

generative AI and the abstraction of reality in Trump’s Gaza

Authors

DOI:

https://doi.org/10.46391/ALCEU.v25.ed55.2025.456

Keywords:

Generative AI, Algorithmic Visuality, Post-Images

Abstract

Investigating how AI-generated images relate to the world and what kind of reality they construct, this article examines how generative AI produces plausible images through probabilistic models that synthesize patterns from vast databases, without any link to concrete events. Drawing on the works of Baudrillard, Barthes, Flusser, Edwards, and Lemos, it argues that these creations establish a new regime in which realism is determined by algorithmic coherence rather than optical capture. To illustrate this point, the case study of a video posted on Trump’s official account—depicting a “paradisiacal” Gaza from a capitalist viewpoint—exemplifies the construction of a hyperrealist, reactionary narrative in which AI-driven manipulation simulates an alternative reality presented as both natural and inevitable. Ultimately, the article questions the implications of a self-referential system that challenges traditional notions of representation and authenticity.

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Author Biography

Marcio Telles, Universidade Estadual do Paraná - Unespar

Professor of the Bachelor's Degree in Cinema and Audiovisual and the Master's Degree in Cinema and Video Arts at Unespar (Cinema and Audiovisual). Doctor and Master in Communication (UFRGS), he did a PDSE internship at Winchester School of Art (UK) and a post-doctorate at Faculdade Cásper Líbero. He was awarded the Compós Prize (2014). He researches image technologies, their aesthetics and their impact on visual culture.

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Published

2025-05-26

How to Cite

Telles, M. (2025). From mimesis to the closed world: generative AI and the abstraction of reality in Trump’s Gaza. ALCEU, 25(55), 50–69. https://doi.org/10.46391/ALCEU.v25.ed55.2025.456

Issue

Section

O mundo (re)visto: estéticas geopolíticas em um cinema policêntrico