Tarantino’s Once Upon a Time... in Hollywood
The Recurrence of Images
DOI:
https://doi.org/10.46391/ALCEU.v21.ed45.2021.62Keywords:
Pop Art, Quentin Tarantino, Critical TheoryAbstract
The article interprets Once Upon a Time in ... Hollywood, by Tarantino, through a posture that, inspired by Benjamin's immanent critique, discusses aesthetics in an industrialized society, looking for criteria that allow its interpretation. It seeks to indicate how Tarantino focuses on traits of certain genres usually overlooked, building his cinema from these remains. The text points out common problems between such gesture and Pop Art. Without indicating any adhesion between the director to this artistic aspect, the text indicates that both converge in a homologous project, dealing with saturated images, in an attempt to offer them another dimension.
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