Vol. 25 No. 55 (2025): 55 Issue

• Presentation

  Alexandre Carauta, Andréa França

  01-02

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.46391/ALCEU.v25.ed55.2025.482

Editorial

• The world (re)seen geopolitical aesthetics in a polycentric cinema

  Lúcia Ramos Monteiro, Pablo Gonçalo, Marcelo R. S. Ribeiro

  03-13

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.46391/ALCEU.v25.ed55.2025.484

O mundo (re)visto: estéticas geopolíticas em um cinema policêntrico

• The dream as image, the image as a dream Around Mãri hi - A Árvore do Sonho

  André Brasil, Laura Portugal

  14-31

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  DOI: https://doi.org/10.46391/ALCEU.v25.ed55.2025.460

• Palestinian cinema and its sumud archives an approach based on three women directors

  Ana Caroline de Almeida

  32-49

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  DOI: https://doi.org/10.46391/ALCEU.v25.ed55.2025.470

• From mimesis to the closed world generative AI and the abstraction of reality in Trump’s Gaza

  Marcio Telles

  50-69

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  DOI: https://doi.org/10.46391/ALCEU.v25.ed55.2025.456

• From modern exhibition venues to the MSG Sphere Arena Understanding and exploring media environments

  Wilson Oliveira Filho, Márcia Sousa Bessa

  70-86

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  DOI: https://doi.org/10.46391/ALCEU.v25.ed55.2025.457

• Nation, music in cinema and the absolute Other

  Luiza Beatriz Amorim Melo Alvim

  87-104

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  DOI: https://doi.org/10.46391/ALCEU.v25.ed55.2025.461

• From Italian political cinema to Angolan anti-colonial cinema Sambizanga, by Sarah Maldoror, and neorealism

  Francisco Ewerton Santos

  105-123

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  DOI: https://doi.org/10.46391/ALCEU.v25.ed55.2025.459

• Colonization and the world in cinema Transnational perspectives between Brazil, Portugal, Mozambique, Angola and Cape Verde

  Caio Olympio Rocha

  124-146

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  DOI: https://doi.org/10.46391/ALCEU.v25.ed55.2025.473

• Representations in dialogue in short films in São Paulo and Paris The symbolic right to the city from peripheral territories

  Eduardo Paschoal de Sousa

  147-165

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  DOI: https://doi.org/10.46391/ALCEU.v25.ed55.2025.454

• Decolonize the map with cinematographic narrative A possible path from Olinda, Brazil, to Leandro N. Alem, Argentina

  Claire Allouche

  166-185

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  DOI: https://doi.org/10.46391/ALCEU.v25.ed55.2025.462

• In the Gutters of the Global South Excess of attractions as a de(s)colonial aesthetic in Hija de Perra’s queer cinema

  Luiz Fernando Wlian

  186-207

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  DOI: https://doi.org/10.46391/ALCEU.v25.ed55.2025.465

• Polycentrism, Periphery, and the Place of Brazilian Cinema in World Cinema

  Cecília Antakly de Mello

  208-231

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  DOI: https://doi.org/10.46391/ALCEU.v25.ed55.2025.486

Entrevista

• Challenges of alternative journalism Interview with Cláudia Sarmento

  Gilberto Scofield Júnior

  232-239

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.46391/ALCEU.v25.ed55.2025.481